Mixed Media–Wheelchair Spoke Guards

Warning: Picture-rich post!

My mixed media spoke guards are now finished and duly installed on the wheelchair, just in time for the craft show last Thursday. I lost count how many lovely comments I received about them, and was surprised how much interest was expressed – people were amazed when I pointed out the materials I’d used, and several people asked if the spoke guards were made of felt! They all had a good feel at the quite tactile surface, and were surprised how hard they were, despite the fabric-like appearance. A question I was frequently asked was if they were waterproof – I’m afraid I don’t know the answer to that one, except that I think they are probably shower proof, with all the gel medium etc., but I wouldn’t immerse them in water.

Since I became a wheelchair user, I have noticed some very interesting psychology when it comes to decorations. My first Christmas, I adorned the wheelchair with tinsel and baubles and everyone smiled, pointed, came and chatted, and were generally very positive. After Christmas I removed the decorations and I was invisible again. I then decided I would always decorate it, and again I got the positive response. It seems to break down barriers of embarrassment in the face of disability, and even though people’s eyes are drawn to the badge of disability (the wheelchair), what they do is to relate to the user as an individual, rather than “someone-in-a-wheelchair.” It’s fascinating. I wrote an article about this for the quarterly journal of Invest in M.E. a few years ago.

My previous post on my new spoke guards gave details of the beginning of the project. Although the result was successful, I learnt a lot of things along the way, and will make subsequent spoke guards more efficiently, and with a better end result. Enough to say at this stage that they were constructed from papier mache. This post is all about the mixed media treatment they received, in creating a background and surface embellishment.

This first picture shows a collection of materials to be used in the project. In the end I didn’t use all of them; instead of building up texture with the Polyfilla One Fill, I used acrylic gel medium exclusively for adhering the various background and texture elements, and some of the materials I’d thought of using to provide extra texture proved surplus to requirement – sometimes one needs to know when to stop, in order to produce a cohesive whole!

I am sure that Judy of Judy’s Fabrications blog will be thrilled that at long last, I have used the beautiful fabric flowers she sent me when we did our flower swap last year. I have been wondering how best to use them, and this way, lots of other people get to enjoy them too, as I take my art with me wherever I go!

You can watch the whole process in the videos at the end of this post.

This picture shows one of the spoke guards ready for decoration, with some of the flowers laid on – I marked their position in pencil, and built up the rest of the design around their placement.

You can see that I have pierced holes around the outside of the guard for attachment to the wheel with cable ties, and the centre has been cut to size to allow for the wheel hub. The three large notches cut from the rim would not normally be necessary for regular wheels, but I have a Yamaha power-assist system on my wheelchair with motors in the large wheel hubs, with three extensions to the push rims; when I push on these, the power is transferred to the motors in the hubs and augmented, greatly reducing the energy I need to move the wheelchair. The notches are to allow for a small amount of play in the mechanism; without them, the system will not operate properly.

The creation of the background began with the laying down of some flowers cut from an old piece of gift wrapping paper. They were stuck down with Golden Regular Matte Gel Medium.

When these were dry, I began laying down torn fragments of tissue paper, also with gel medium (I eventually used soft, rather than regular, as it didn’t lift the paper so much). You can see the two blank areas where the fabric flowers will eventually be applied.

The next picture shows the spoke guards with the tissue paper application completed and dried.

To soften and blend the effect, I added three applications of acrylic glaze, using my Pebeo fluid acrylic paints, mixing them with some acrylic polymer, first using a creamy-white colour. This before-and-after photo is the result; it has reduced the pinkness a little, and softened the hard edges somewhat.

It still needed something extra, and I used some yellow glaze, and then some beige, and blended with the use of further polymer, this is the result. I was careful to rub back the glaze over the paper flowers, so that they continued to show through, but in a nice soft, subtle way.

To add a bit more interest to the background, I did some reverse stencilling, using my honeycomb stencil which I cut using Sheba, my Black Cat Cougar cutting machine. (For details of this machine, see my sidebar.)

I began by painting a small area with a light brown acrylic paint, and laid the stencil over the top. I then wiped it carefully with a piece of damp kitchen paper to remove the paint from the areas not covered by the stencil. I cut some red sequin waste into basic leaf shapes, and using the fabric flowers as a guide to position them, I stuck them down with regular gel medium – they required a fairly heavy application to make sure they were secure.

Following this, I added some swirls cut from brown card using Sheba, again placing them correctly with the aid of the fabric flowers laid on temporarily.

The next step was to add some stems (these eventually turned into roots!) to connect the various elements into a continuous whole around the spoke guard. To do this, I took a small quantity of nice slubby yarn in my stash, cut into shorter lengths and stuck down with regular gel medium. I found it easiest to lay the yarn roughly where I wanted it, and to adhere the slubs first, and then the rest of the yarn, making sure it was well and truly soaked with the medium and pressed down onto the surface.

I used this technique, applying yarn with gel medium, on the small seaside-themed box I made for a friend last year – this project also utilised the tissue paper collage process as well.

As the gel medium began to dry, I went round the applied yarn and scraped back any excess, and finally rubbed away any residue with my finger. When dried, this is what it looked like. You can see the pale pink and green of the yarn through the clear gel medium.

Adding some texture around the yarn was super-fun! With generous amounts of regular gel medium, I stuck down several air-dry clay pebbles I made a while back, and also some poultry grit, which I bought at our local agricultural merchants when my hubby and I went a few months ago so that he could get something for the garden – I went on a little wander with “art” uppermost in my mind, and found all sorts of things to create texture! Poultry grit consists of small broken fragments of seashell, which chickens eat (unbelievable but true!) and somehow manage to absorb and utilise to form shells on their eggs. This poultry grit looks far from appetising to me… but then I’m not a chicken.

It’s fabulous for texture, though!

Another thing I found in that place was a packet of small orange rubber rings, that farmers use to dock the tails of lambs! I popped those in my basket too, and here they are, in a different incarnation, embellishing Shoshi’s wheelchair!!! I applied these with a generous amount of gel medium as before, and it squeezed up in the centre of the rings, which looked interesting.

After applying all the texture elements, I stippled soft gel medium over the whole thing with a hoof-oil brush (also obtained from the agricultural merchants) just to seal everything in, and prevent any potentially loose bits of poultry grit from falling off. The whole thing ended up feeling very firm and secure, and you can apply quite hard pressure to the various elements and there’s no movement at all. The flatter elements (leaves and swirls, and the original paper flowers) feel welded to the surface, and you cannot get a fingernail underneath any of it, so there is no danger of these lifting. The acrylic gel mediums are excellent for this sort of work and give superb results.

The next step was to add gesso to all the texture elements that would be painted – this was everything except the poultry grit, which looks gorgeous as is, with its natural shell colouring.

Once this was dry, the next step was one of the most fun parts of this whole technique – adding shading to the texture. I have seen various mixed media artists on Youtube using this technique, and it is most effective. Cheap black acrylic paint is applied roughly over all the textured areas, making sure it goes right down into all the crevices.

Working in small areas at a time so that the paint doesn’t dry, you then wipe it off the surface and clean up the surrounding area. Initially I used a piece of damp kitchen paper to clean off the textured areas but later discovered that a wet sponge was more effective (and also saved on kitchen paper!). A piece of damp kitchen paper is best for cleaning off the background areas. What happens is that the black paint is left in the crevices where you can’t wipe it off, and this gives tremendous depth to the work, with very little effort.

Here is a close-up of the shaded texture. You can also see how effective the poultry grit is as a texture.

The roots were painted with a selection of brown and cream fluid acrylics.

When I rubbed the black paint off, the gesso started to come off the rubber rings, which was a nuisance, but I decided to apply some Treasure Copper (like Rub’n’Buff) onto them and this, combined with the patchy gesso, gave a nice distressed effect. Someone at the show asked me if they were made from Cheerios!!

This more or less completed the decoration of the spoke guards. Before adding the fabric flowers, I gave the backs of the spoke guards two coats of cream emulsion paint, and then painted the whole spoke guard, front and back, with matte acrylic varnish to seal everything.

Here are the finished spoke guards, with the fabric flowers laid in place, ready to be stuck down with hot glue.

This is a detail shot, showing how all the elements work together. You can just see the original collaged paper flowers, and the soft effect of the overlaid tissue paper. I love how Judy’s flowers complement the darker, more neutral texture elements, and bring out the soft colour of the background. Thank you Judy! I am thrilled with how your flowers have worked on this project.

Mounted on the wheels, they look like this.

Finally, the wheelchair with the new spoke guards installed on the wheels.

After taking this picture, the final step was to replace the tired floral decorations down the front frame. I used new silk flowers and the remaining few fabric flowers not used on the spoke guards.

Though I say so myself, I am extremely pleased with the result of this project. At the outset, I wasn’t at all sure that it would work, as I had never made anything like this with papier mache – I wondered if they would be firm, yet flexible, enough to stand up to the task, and also to enable the power assist system to function properly. Overall, everything has come out better than I could have expected, and it’s given me the confidence to make some more, and try my hand at some other styles – Zentangle? Steampunk? Marbling? The possibilities are endless!

Here are the videos, covering first the background, and then the embellishments. Enjoy!

Edit: Some time after making these, I was given some old estate agents’ “for sale” boards as the company was changing its logo. These are made of a double layer of corrugated plastic, each layer having a flat skin top and bottom. They are just large enough to cut a 24” circle for a spoke guard out of each. I can then cut out a gusset and attach the edges together with duct tape in order to make the convex shape. Painted with gesso, these will then be ready for mixed media application. This should be a lot more straightforward than constructing them from papier mache, and it will make them more lightweight, and also more waterproof.

WOYWW 188

After completely forgetting about WOYWW last week, I thought I’d better make an appearance this week! The whole holiday season had me out of sync and what limited routine I normally have went completely out the window.

Thank you Julia for organising another weekly nosey fest so that we can all see what everyone is doing on their work desk. A wonderful opportunity for inspiration and friendship! If anyone reading this hasn’t a clue what I’m on about, click on the WOYWW link in my sidebar which will take you to Julia’s blog and you can join in the fun.

This week it’s more a case of “What’s On Your Work Floor Wednesday” – for the past couple of days I’ve been working on some new spoke guards for my wheelchair. I’d like to get these finished by 24th Jan. when I’m going to a craft show in Exeter, and I’m feeling rather ashamed of my current, very tired and old decorations on my wheelchair!

This is a frame grab taken from the video I’m making of the process – I haven’t bothered to photograph it again for WOYWW as nothing much has changed, just a couple more layers of papier mache on the spoke guards. The video will be in several parts and I won’t upload any of it till it’s completed, but watch this space!

I’ve also been busy working on my new Zentangle album and now have the pages and ring binder to put them in. It’s looking great, and will be a lot easier to use than the old one. I have several recent posts about the ATC-sized cards I’ve done of each pattern, so I won’t put links to them all. If you have time, have a wander.

(Note: Page showing reverse side of cards with step-out instructions has been blurred for copyright reasons.)

Also, I’ve been designing my first Zentangle patterns! These are also lurking in my recent posts and you’ll find “Y-Ful Power,” “Y-Pod,” “Nemnies” and “Spawn.” “Stonewall” is on its way.

Thank you everyone for your good wishes for Rev. Ernest Bear’s surgery – I managed to complete all the work before Christmas and it ended up as part of my Christmas present to my hubby. He is so thrilled to have his precious bear back all nice and smart ready for the New Year! I’ve put new pads on all 4 paws, and also added little patches (hearts on his hands – he gives a LOT of love!) and matching patches now decorate his blue trousers, and he’s got a new pair of red braces. All his clothes have had a wash, and I think he’s looking pretty chuffed about the whole thing!

Happy WOYWW everyone, and I hope I manage to visit a few of you this week, but when I’m feeling well enough to do anything, I’ve got to crack on with my spoke guards.

Wheelchair Spoke Guards–Mixed Media Project

A lot of wheelchair users have spoke guards on their wheelchairs. These prevent your fingers and clothing getting caught in the spokes, and being a blank surface the size of the large drive wheels, they are also a brilliant way of expressing your individuality. There are websites offering off-the-peg and bespoke designs, but at a price. A few years ago I found a supplier of plain ones – clear or black, and bought several pairs.

My first pair I painted with pink flowers, to co-ordinate with the silk flowers I put down the front frame of my wheelchair. They have been much admired, but I never really felt satisfied with them, knowing I could do them better if I did them again! The problem was that I painted them from the back, to protect the front surface from getting scratched, and I had to completely rethink how I painted – painting the last bits first! It was really difficult. This is the result, on my old wheelchair.

On the black pair, I attached sparkly gems of various sizes. Here is my new wheelchair (a Quickie Helium) with Christmas decorations on it.

I’ve had these black ones on for a long time now, and the flowers I’ve got on the front are looking very tired. The cable for the lights has snapped so they are inoperable. Time for a makeover!

Ever since I’ve taken up art more seriously, I’ve wanted to use these surfaces as a basis for art! What a beautiful way to express yourself by taking your art wherever you go! The idea has remained theoretical for too long, and today I decided to do something about it.

I have a spare pair of clear spoke guards, and I am using them as templates for creating new ones from papier mache and mixed media art. I have no idea yet if this idea is going to work – they need to be strong, but flexible. My power add-on system has three large spokes which go from the large hubs to the push-rims, and as you can see in the above photo, this does cause quite a bit of flexion in the guard. I also don’t want them to end up too heavy – the plastic ones do weigh quite a bit. It isn’t too much of a consideration with the power assist switched on, but in manual mode, every ounce counts! If the worst comes to the worst and they end up not being strong enough on their own, I shall just have to attach them to the plastic pair, but this is obviously not the ideal solution. (Perhaps I could make a heavy-gauge wire frame like a lampshade frame, and attach it to that!!)

This is what I have done so far. I apologise for the quality of the photos but they are frame grabs from the video I am making, which doesn’t yield top-class results, I’m afraid. When I’m in video mode, I forget all about taking still photos.

First I covered one spoke guard with cling film, and painted on watered-down PVA adhesive, to which I adhered a sheet of scrim fabric. The idea of the cling film is to enable me to lift the finished guard off the template guard underneath, hopefully leaving it unblemished.

In case you are wondering, those two dark objects on the left are my KNEES!! I am having to work on this project on the floor, because I haven’t got a large enough work area to sit at my table – this is something I am hoping to remedy when I eventually get my dream ARTHaven when we move… You can also see, in this picture, how transparent the spoke guard has become as the PVA has dried, and you can see the newspaper showing through.

After the scrim layer was dry, I started to apply small pieces of paper, also with PVA adhesive. I have a huge roll of butcher paper which the removal men left behind when we moved house, and I think this will work well if I build up sufficient layers.

So that I don’t end up making it thicker in one area than another, between each layer of paper, I am sticking down pieces of tissue paper in a different colour, so that I can easily see which bits I have completed.

I am not sure how many layers it is going to take. The spoke guard is now in the airing cupboard drying off completely, after only 2 layers of each kind of paper – I am going to have to do considerably more than this, and I am hoping that it is going to be rigid enough, with the amount of glue that I am applying. The slightly domed shape of the spoke guard will help maintain the shape, and with the addition of gesso, gel mediums and acrylic paints etc. this should also add some strength.

I am reassured that the cling film does seem to have protected the spoke guard underneath, and that it peels away from the scrim OK. I have already trimmed off the excess papier mache that I have done so far. I didn’t want to leave that job till the end in case it was too thick and hard to cut easily.

The surface will be embellished with various textures to start with – I have some poultry grit and various other bits and pieces, including cord and some air-dry clay pebbles I made for another project, and I am intending to add some flowers too. They will be painted with acrylics. The palette will be fairly muted, I think, but there may be some splashes of accent brighter colours too. They need to be fairly robust, without too much projecting from around the hub region (my hubby delights in scraping them against door frames at every opportunity!! – lots of the little gems have been knocked off the black pair) – they also need to be pretty water-resistant in case I get caught in the rain, although that is to be avoided if at all possible because the power-assist system will not react well to getting wet! Any paper embellishments I make will therefore have to be either stuck down flush with the surface and completely covered with gel medium, or dipped in UTEE before being attached.

I am making a series of videos of the whole process, but I am not going to upload any of them until the project is complete, because there’s nothing more frustrating that the promise of a sequel on Youtube, only to find it’s never been made!

If this project is successful, I will never need to buy another set of spoke guards. Even plain ones are quite expensive, and how much more fun to use them as an expression of one’s creativity.

I am also trying to work out a way of making something similar to cover the front frames, which can be easily removed and replaced with alternative designs.

I’ve been hankering after doing this for so long, and I’m so fed up with how my wheelchair looks these days. It will give me a boost to have a new look! I have it in mind to design a steampunk set with lots of gears, and a nice rusty, metallic grungey look. I am thinking of laying down small sheets of embossed metal for that one, with faux rivets. Who knows? I may end up with a Zentangle wheelchair one of these days! How cool is that?