Infusions Mini-Album–Completing the Title Pages

This afternoon I made the title pages for Books 2 and 3 of my Infusions Mini-Album. One or two of them had to be left to dry, and I will complete them after this.

Again, I used up some of the reject/spare pages. For the first one, I should have chosen a stencilled one that didn’t use Polyfilla because there was one of those to come, but once I realised, it was too late! I added text with the white Uniball Signo marker pen and a black archival pen, and added some white Rub’n Buff and Treasure Gold to the raised parts.

I did the text in the same way on the Stencil with Polyfilla title, and added some Treasure Gold to the raised parts.

Simple text on the next one. I think I had it in mind to add some hand-embossed leaves and flowers to this one so I hope I’ve left room for them!

For the Added Texture title page, I thought I’d use a mixture of textures. From left to right: bleached mulberry bark (I tore off a tiny fragment), coarse pumice gel, regular matte gel (for attaching the mulberry bark), glass bead gel medium, and finally crackle paste. These have to be left to dry overnight, especially the crackle paste which needs time in order for the cracks to develop.

Acrylics title page. In addition to the usual pens, I also added some shading to the text, with a soluble graphite pencil and a fine wet brush to blend it out.

For the Gesso title page, I decided not to add any card, but simply to spread gesso onto the squashed toilet roll, taking the gesso over the black painted edges. As I needed two pages for this title (to make the page numbers work), I added some texture by patting the surface gently with the flat of the palette knife, taking this effect over onto the right-hand page a little, but leaving a smooth central part for writing on. Once this was done, I sprinkled on some Black Knight Infusions from Set 1 and some In the Navy from Set 2, and spritzed it with water and left it to stand for a bit, before drying the surface with my heat gun. These pages will have to be left overnight for the gesso to dry completely.

Finally, the Cling Film title. I am not sure whether what I have done will work! I wanted to leave some cling film on the page, so I scrumpled some up and attached it with a thick layer of heavy body clear gel medium. Once it is dry, I shall trim off the excess cling film. This was attached to a spare stencilled piece with a very blurry image on it, from about the third impression of a wet stencil. We shall have to see how this turns out after it’s been left to dry.

Commission for a Zentangle Book

The second of two posts today. – Edited – picture of book cover.

I have been approached by Jane Marbaix, a UK Certified Zentangle Teacher (CZT), who is writing a new book on Zentangle – she already has more than one in print – she had found my tangle “Y-Ful Power” and wanted to feature it. She asked me to submit the step-outs for it, and also a piece of art using this tangle, and some text giving details of the inspiration behind it. She asked if the art piece could somehow reflect the story of my cancer journey this year, as the publishers were keen that the book should inspire people.

I was a bit daunted at first because the deadline was so short, for which she apologised; she said she needed it within three weeks, but effectively for me, that meant by the end of the week, because my next chemo treatment is due then, after which I will be fit for nothing for another fortnight. Her timing was actually very good because I was just starting to feel better for my third week in the cycle, and I’ve been able to pull out all the stops and get it done in time!

I felt a bit daunted for another reason too, which was that I have very little experience in expressing my thoughts, feelings and experiences in the form of art. This is definitely something I have felt the need to work on for some time, because I have been wanting to get into art journaling. Hopefully next year after the chemo is finished and I am getting my life back, this will start to happen, and it’s good to get in a bit of practice in advance!

I feel extremely flattered to be invited to contribute to a published book. To be sought out like this and invited to take part is very exciting indeed, and I am so pleased that Jane is so delighted with what I’ve come up with – I wanted really to do this thrilling project the justice it so richly deserves. Jane is one of only a small number of UK-based CZTs and it’s very good to be able to support and encourage her in this way, and to give her a bit of publicity.

My original thoughts on a suitable design for this ZIA (Zentangle-Inspired Art) came to nothing and got chucked out – my thinking was too literal, and my initial sketches were a disaster! I spent most of that first morning trawling the Internet for inspiration until I decided to look on my own Pinterest boards to see if anything struck a chord, and I found this image of the most amazing and beautiful spiral staircase.

I have no idea where this staircase is located. I have always been fascinated by spiral staircases and the intriguing shapes they produce, and in this context, I could see this as a picture of my journey – a journey of the heart from darkness to light.

Here are some pictures showing the progression from initial pencil sketch to the finished drawing.

 

 

The initial pencil sketch shows the spiral staircase emerging from a 3-D heart, both of which feature prominently my tangle “Y-Ful Power.” I wanted the bottom part of the picture to be dark. The small heart on the right is an attempt to get the perspective right – I had some trouble with this!

The next picture shows how I began the first tracing of the shapes, using my light pad – a flat panel illuminated by LEDs for the purpose of tracing. This is an extremely useful tool which I acquired a few months ago on Ebay, and had yet to put through its paces. I have wanted a light box for many years, and am very glad that I did not invest in one at the time because these new panels are so much more convenient – lying flat on the table with very little thickness, and the LEDs do not make it hot.

The next picture shows the first tracing complete.

 

 

I have drawn a pencil grid over the spiral staircase and the heart, for the placing of the dot grid to construct Y-Ful Power, which you can see complete on the first draft I made from that tracing, on plain paper.

 

 

I was still not happy with the heart, which looked rather flat, but which I thought might be improved with some shading. I made several attempts at drawing the heart, using different grids, until I was satisfied.

Here is the completed draft.

 

I didn’t like the overlap of the rays of light from “Footlites” on the left, and these needed to be altered.

My first “fair copy” of the drawing did not pass muster because the bottom of the heart was very dark, and there was not enough contrast with the background, into which it appeared to merge without trace! It looks better on this photo than it does in real life. I had put too much in the way of embellishments on the Y-Ful Power on the bottom of the heart, and this needed to be reduced. I wasn’t keen on the way that the embellishments followed the line of the handrail of the staircase, either. There were some other problems too, such as the hole in the centre of the spiral coming out too small and losing the impact of the spot of light towards which the butterfly is moving. Also, I didn’t like what I’d done with “Finery” on the bottom right – the black embellishments were too strong. (I edited this scan and made it come out a bit too dark – the shading isn’t that strong on the original.)

So I re-drew it, yet again. This next photo shows the final drawing complete, or so I thought until I realised that I had left out some shading that I wanted to put on the underside of the spiral staircase. (The rest of the shading shows more true to the original than on the previous photo.) I was a lot happier with the heart, “Finery” and “Footlites,” in this final rendering.

 

By this time I had scanned the image, and done a bit of digital tidying up, and I didn’t want to do all that work again, so I printed it out, and attempted to add some shading to this scanned image, which I then scanned again. This was a mistake because the result came out very grainy, so it was “back to the drawing board” as I had to decide what to do. To save myself a lot of work I decided to add the shading digitally, to the underside of the spiral staircase. This is the final drawing.

 

 

I was a little concerned at how blue the shading (real and digital) appeared in the image – I tried desaturating it and converting it to greyscale but the result was the same. I am hoping that the printers will get a true greyscale image when they prepare it for the book. I have now sent the files of the drawing, the 2 step-out sheets for Y-Ful Power, and the text to accompany the drawing, to the publisher as well as to the author, and the publisher says that the scans are fine, so presumably the picture prints out OK in a true greyscale.

Looking at these pictures, superficially they appear pretty much the same, but it’s a bit like those “spot the difference” pictures! There are subtle differences which probably only my perfectionistic nature would fuss about, but this is going to be published, and I wanted it to be the best I could make it – I’d never be satisfied knowing that something I had drawn was being published, that I wasn’t 100% happy with.

A Word about Shading

In the past, I have always shaded my Zentangles with a soft (4B) pencil and then blended it with a paper stump. However, being graphite, the shading didn’t usually photograph or scan very well because it is slightly reflective. I have wondered for a while about suitable alternatives, and recently discovered soluble graphite pencils – watercolour pencils in shades of grey that can be applied and then blended with a water brush. I bought a Derwent Graphitint pencil recently in Warm Grey (Shade #19), one of a range of greys that they produce, which I think probably doesn’t have any graphite in it because it is completely non-reflective. Blending with the water brush is easy, and the results are very good, so this is going to be my shading tool of choice for the future.

The symbolism in the picture

You can see that there is an emphasis on upward movement throughout the picture, from the dark beginnings to the light in the centre. The symbolism is best expressed by quoting an extract from the text which will accompany the image in the book (this may be edited by the publisher for length):

“My piece of Zentangle-inspired art depicts my journey from my bowel cancer diagnosis in January 2015, which is essentially a journey of the heart – it is all about attitude. It is not the circumstances and events in our lives which define us, but our attitude to them – we can either cave in under them and complain and be miserable, which will affect everyone around us in a negative way, or we can face them head on, and make use of them, to help us become a better person, which will have the added bonus of inspiring those around us. This second choice is the one I have made. Only once, on the day of my diagnosis, did I say, ‘Why me?’ and immediately afterwards asked, ‘Why not me?’ A positive attitude also helps towards a positive outcome to the illness and its treatment…

“This has been a wake-up call and a life-changing experience, which I have attempted to express in my art. The upward journey has not been a straightforward one but has taken some circuitous routes. From a relatively dark and cluttered existence I am rising towards the light; the butterfly represents metamorphosis from one state to another, taking flight from a lowly existence into the brighter light of hope and joy. Before this event, my life was going on much as before, in a fairly chaotic fashion, and looking back I realise just how much time I was wasting, and how little I was doing for – or even thinking of – others. This journey has changed my priorities.

“The upward journey is from a heart full of gratitude, and a desire to make a difference in the lives of others. My new motivation is to help others, to inspire them, and to become a better person…

“Where will this journey lead? Who knows? Hopefully to a cancer-free life, but to have made a difference is all I ask.”

Tangle Patterns Used in the Piece

I included a list of the sixteen different tangles that I used in the piece:

Y-Ful Power, Cvetic, Lily Pads, Lotus Pods, Footlites, B’twined, Miander. Copada, Bilt, Intwine, Finery, Zinger, Verdigogh, Float Fest, Barber Pole, and Heart Rope. I wonder if my fellow tanglers will be able to spot them all!

Details of the Book So Far 

The book title will be “Inspiring Zentangle Projects,” and will be published in May of next year, all being well. Jane has now sent me a jpg of the cover. She says that between now and publication, this may be changed, but this is the working version.

 

 

It is being published by Arcturus Publishing – I visited their website today and they’ve got some very intriguing titles on there, including several adult colouring books, and to my great delight, an adult dot-to-dot book! I used to love doing these as a child, and the adult ones look highly complex and interesting. Definitely something to try! I expect you could colour them afterwards, too. They do quite a few art and craft books, and one of Jane Marbaix’s earlier Zentangle books is in the catalogue, too – “Mandala Zentangle.”

I hope you will all buy a copy of her new book when it comes out!

Red and Gold Dylusions Background

THE BIG REVEAL, PART 4.

This is the second of two posts today.

Many of my regular visitors have been justifiably very frustrated and impatient with me lately because I’ve been working hard on several secret projects that I wasn’t at liberty to reveal until now. With her permission, I can now reveal that I have been making stuff for Shaz. As many of you will know, she is about to undergo major surgery and has been through so much over the past year. She and her lovely hubby share the same birthday and I have made cards for them both, a get well card for her (still under wraps) and a selection of bits and pieces for her to play with once she feels up to being creative again. She opened the parcel on her birthday (14th Aug.) and now that she has received them I can share the making of them with you. Until now, I didn’t want to spoil her surprise as she visits my blog regularly. Throughout my own cancer journey, this wonderful friend has been such an encouragement and support to me, and this is one way I can thank her, and show my own appreciation and support. I know that she would love a visit from you to wish her well for her surgery on 2nd Sept.

I shall be uploading a couple of posts each day over the next few days until all is revealed. Please scroll down for earlier posts.

Red and Gold Dylusions Background

This is the first of several A4 backgrounds/small masterboards I made for her, along with some other bits and pieces I’ve sent her to cheer her up. To make it, I painted a piece of white card with white gesso, using a foam brush, and I then used my new Dylusions paints which I applied with the round blending tools. I used the corner-corner-side method of creating backgrounds – two adjacent corners and the opposite sides are painted/coloured to begin with, and this sets the pattern for adding more colours.

I began by using the yellow paint (Lemon Zest).

Next came orange (Squeezed Orange) putting the colour on the other two corners and the opposite side.

Next came red (Postbox Red) which went mostly over the orange.

The final colour in this palette was pink (Bubblegum Pink) which covered most of the gaps.

More red to come, covering any remaining gaps and blending with the other colours.

Using a damp piece of kitchen paper, I added tiny amounts of yellow, blending them in well.

Some more Bubblegum Pink followed, also blended with damp kitchen paper. You can use a baby wipe for this technique, too.

More yellow, blended with the same method.

I chose some stencils to use. The small one with all the circles is not a stencil at all, but a stoma measuring gauge!! (I know this will amuse Shaz!) I have got quite a few of these and I thought they’d make good stencils, having circles of varying sizes. They are not terribly durable but I propose using them till they eventually fall apart. After doing this, I found my one measuring gauge made from acetate, and this has now migrated from the bathroom to my ARTHaven! It should last indefinitely and has the bonus of being transparent. (Now that Kermit, my stoma, has settled down to his final size, I no longer need these gauges). The other stencils I selected to use are my own Increasing Circles stencil, and the Tim Holtz stencil “Splatters.” In the end I didn’t use my Increasing Circles one.

Adding some yellow paint through a large circle on the stoma gauge.

More yellow circles. I love how this paint has some translucency to the layer beneath with only one coat.

Adding some pink circles.

I forgot to photograph using the Tim Holtz stencil, but I used orange paint for these circles.

Doodling with a variety of drawing pens.

Finally I added some gold heat embossing, using my embossing pen, and a touch of white gel pen. I added some shadow using a soluble graphite pen and a wet paintbrush.

The final result didn’t come out quite how I intended but I’m reasonably pleased with it! It actually looks a bit like gold bangles (and not, I hope, like stomas!!).