Infusions Mini-Album–Working on the Tags

The second of two posts for today.

I actually managed to do some art today – for the first time for goodness knows how long. I managed to extricate myself from the kittens and spent a couple of hours in the studio, working on the tags for the Infusions mini-album.

I began with the title tag for the “Various Effects” section, listing the three techniques on the front of the tag.

The background was created using Black Knight and Are You Cerise Infusions from Set 1, sprinkling on the Infusions and then spritzing with water, and I repeated this for the reverse of the tag.

It was so long since I’d done any of this project that I’d forgotten that I was going to use Distress Inks and a minimum of Infusions on the tags! Having done it, I didn’t want to waste the tag, so proceeded with it, using the white Uniball Signo pen for the text, which matches the tag holder.

The next one was for “Drips,” on the front of the tag.

I inked the background for both sides using Spun Sugar, Worn Lipstick, Picked Raspberry and Victorian Velvet Distress Inks, applied with Inkylicious Ink Dusters. I sprinkled on a small quantity of Are You Cerise and Black Knight Infusions (both from Set 1) and spritzed it with water, and then dried the tag with the heat gun. I spattered this with water and blotted it off for a bit of texture, and dried the tag before adding the text with my white Uniball Signo marker pen. As I am doing for all the tags, I distressed the edges with Black Soot Distress Ink, using a home-made ink blending tool (just visible on the far left of the above picture).

The “Kissing” tag. This was done on the reverse of the “Drips” one.

I chose colours of Distress Inks to match as far as possible the two “kissing” pages. These were Tumbled Glass, Stormy Sky and Faded Jeans, all blue Distress Inks, and then Crushed Olive, Peeled Paint and Forest Moss in green, and finally a little Fossilised Amber. The Infusions I used were Royal Blood and Golden Sands from Set 1. I wrote the text using a black permanent archival pen and the white Uniball pen.

The “Infusions with Glimmer Mists” tag was made by inking Scattered Straw Distress Ink over the entire surface of both sides of the tag, using an Inkylicious Ink Duster. On the front, I sprinkled some Lemoncello Infusions from Set 1, sparingly, on two of the corners and dried it with my heat gun, and repeated the process on the back, using a bit more Infusions to cover the surface.

I spritzed both sides with my DIY Glimmer Mist made from Chipped Sapphire Distress Ink re-inker in water, with some Perfect Pearls added. The blue of the Glimmer Mist mixed nicely with the yellow of the Scattered Straw Distress Ink to create bits of green. Those little spray bottles don’t give a really fine spray, unfortunately, so I think in future I need to use my mini-misters instead. The text was done with a black archival pen.

These are the little mop-up pieces so far – for each tag I am creating a new one of these, to clean up the non-stick craft sheet and provide a resource for future projects. Each one is edged with Black Soot Distress Ink.

I’ve finished the “Miscellaneous Techniques” section and the next section to be done will be the “Painting” section.

Copper and Sepia Thank You Card

This evening I made a thank you card for a friend. She had seen my Mamhead album and admired one of the sepia tracing pages, so I made her a card based on the same photo and the same technique.

The photo doesn’t really do it justice unfortunately.

Here is the original photo.

I printed out the photo to the size I wanted for the card, and laid some parchment paper over the top and taped it down. I traced some of the outlines using a sepia pen.

I used copper Perfect Pearls from my Perfect Pearls palette to pick out some leaves and stems, with a fine watercolour brush.

I cut the two pieces of paper out with a craft knife, allowing a small amount extra of the parchment down the left side, which I folded under, and stuck to the back of the photo, so that the parchment tracing could be peeled back to reveal the photo, as I had done for the album – the album page was done in gold rather than copper.

This is a lovely technique because both layers enhance each other, and it makes the page (or card) interactive.

To finish the card I matted and layered the picture onto some copper metallic paper and some mottled brown paper from my stash, and mounted the whole thing onto a tent-folded piece of A5 pale yellow card.

I thought it needed something extra, so I found some silvery-grey “Thank You” sentiments in my stash box which I’d cut with my Cougar electronic cutting machine some time back – they tone really well with the parchment paper – and stuck them down using Scotch Quick-Dry Adhesive, and outlined them with the sepia pen. Using a home-made ink blending tool, I also sponged on some Tea Dye distress ink around the edges because the card base was showing a bit, and this definitely improves the appearance.

I added a tiny spot of two-way glue pen onto the top right corner of the photo – if you apply this glue and allow it to dry, it becomes like the glue on post-it notes. I did this to keep the tracing in place and to stop it flopping forwards. It can be peeled back to reveal the photo, and then repositioned. It did occur to me later that it might have been more sensible to attach the parchment piece at the top rather than at the side but I’ve been feeling pretty exhausted and brainfogged lately so put it down to that!

Earlier today I continued to work on my Infusions album, sticking the samples onto the flattened toilet rolls – I didn’t bother to photograph this because it really wasn’t very interesting – just a rather tedious, messy job! You can see when I started this the other day. This is my least favourite part of making an album. I seem to be making an awful lot of pages and I think there are too many for a single album and I am thinking about binding two or three separate ones into one large cover, which could be quite intriguing.

The latest pages are now under a stack of heavy books to flatten them.

WOYWW 354–New Stash, Music and Decorating

Since there is no change in my desk since last week and not wanting to miss out on the fun of WOYWW, I thought I would share the new stash I bought in February. It’s on my desk somewhere under the clutter, and even though it was “posed” for the photos, it’s been there on every Wednesday, so I think it just about qualifies for a WOYWW post!

I have been so busy with other things lately that none of this stash has yet seen the light of day or got its feet wet with ink!

After our wonderful Diana Taylor posted over recent weeks on using things she hadn’t used recently, including some fabulous flower stamps and dies which I quite fell in love with, I got the details from her and ordered them – they are the Heartfelt ones in the pink packaging. I also raided Ebay for some more new flower stamps because I don’t have many. The ones on the right are smaller than I’d hoped but they will still be useful, and the ones at the bottom can be mixed and matched for layering or making 3-D flowers if I want.

The box on the right is Bo-Nash Fuse It. It’s like the glue on the back of Bondaweb, but in powder form. I bought this for sprinkling on fused Angelina fibre so that I can apply it to projects – this stuff fuses beautifully to itself but not to anything else! Centre stage are the final Perfect Pearls to complete my set. Below the Perfect Pearls is a new pot of gold embossing powder.

While looking for new flower stamps, I found the new PaperArtsy Eclectica Collection by Lin Brown.

I also bought the companion stencils.

I was totally blown away by these, particularly after viewing the Youtube video with all the projects people have made using them – I simply couldn’t resist!

https://www.youtube.com/watch?v=Yn8OdbuEUlA

One day (soon, I hope!) I shall get back into the studio and start playing with all these goodies.

Meanwhile, I am continuing to work hard on my guitar and singing technique. Here are my fingertips today – just over a fortnight on from when I started.

They are less tender now, and they look a lot worse than they feel! You can see that there has been some bleeding under the skin. They definitely feel harder now so I’m almost there!

I have been working on strengthening my left hand by squeezing the rubber ball my hubby used for the same purpose when he broke his wrist. Today I discovered some good exercises online for increasing flexibility, stretch and dexterity in the fretting (left) hand, with some excellent Youtube videos.

I have noticed since I started singing again that there is weakness in my middle register, and looking online again for advice on this, I came across Felicia Ricci, an amazing singing teacher who is enthusiastic and fun, and who explains things which are hard to put into words – I know I am going to benefit from this.

I spoke to my minister after church on Sunday and he said to email him when I felt I was ready to sing, and he’d fix it. It won’t be long now!

We are also about to redecorate our gloomy and cluttered sitting room, which doesn’t get a lot of natural light. At present the walls are cream, and we have far too much stuff in there. The lighting is very poor, so the electrician is coming to see if we can have wall lights. We are going to replace the cream paint with white, with small accents of a nice sunny bright orange. My hubby took me to B&Q yesterday (he said, “I know how to give a girl a good time” lol!) to buy the paint. I have ordered a new storage cabinet/bookcase to replace the ugly white painted shelves and this will be a lot less dominant. We spend a lot of time in there, and it certainly needs a facelift. Photos will follow! Now that Mum is no longer in the flat, we are going to move some of the stuff through there and use it while ours is out of action, which will be nicer in the evenings because it is at the back of house and gets the afternoon sun. Watch this space.

My hubby has been working hard in the garden and it’s all beginning to look lovely. We can’t wait for our rock plants to start growing. The water feature is looking great.

Happy WOYWW everybody and may we all have a fulfilling and creative week, whatever form that creativity may take!

Card Factory 2015–Florabunda Mandala Cards with Perfect Pearls

The first of two posts for today.

My next collection of cards is the Floral Mandala design, which I decided to colour with Perfect Pearls, to give a rich, jewel-like shimmering effect which would emphasise the complexity of the design, which has a somewhat Islamic feel.

The original design, printed on the laser printer.

Some time ago, I created a Perfect Pearls palette to make painting easier. I used a Tim Holtz ink palette, and followed the instructions from Creations by Christie. Here is my palette, together with the first Mandala that I painted, using a fine brush dipped in water, and picking up the colour from the palette.

The completed painting.

A word about one of the amazing properties of Perfect Pearls. Some of the colours exhibit interference properties. A good explanation of how this works can be seen here. The mica flakes in Perfect Pearls and other pearlescent/iridescent or interference pigments act like a diffraction grating, and the same principle  can be found in action in the iridescent and shimmering colours of peacock feathers and certain butterflies’ wings and beetles – these are not actual pigments but are visible as the result of how light is reflected and refracted off different surfaces at the microscopic level.

https://www.youtube.com/watch?v=29Ts7CsJDpg

I suppose it’s because I am such a fan of bling and shimmering and metallic colours that I love this effect so much!

I recently had a foray into Twinkling H2Os which work on the same principle, but I did not find them as satisfactory as the Perfect Pearls in my palette – with a moistened paintbrush you can apply these fairly thickly and you get a very rich, iridescent and shimmery effect.

Several of the Perfect Pearls are labelled as “interference” colours, such as “Inteference Red,” and “Interference Blue,” but some of the other colours exhibit this property too, such as “Berry Twist” (one of my favourites) and “Blue Raspberry.”

When viewed at one angle, the colours appear somewhat dull and dark, but turn the piece into the light at another angle, and the shimmering colours emerge. I have photographed each of my pieces in turn, showing first the duller version and then the bright, shimmery version, so that you can see this principle in action. Some of the colours just appear brighter, while others actually change to a different colour. Compare the two pictures and see. These photos also serve to give you a close-up view of the drawing and painting.

First, the card with the red mount (the first one I painted).

The card with the blue mount.

The card with the purple mount.

Finally, the card with the orange mount.

Now a picture of each of the finished cards in turn, with details of the matting and layering.

For the red one, I opened a pack of decorative papers that I bought simply donkey’s years ago – so long ago that the shop closed a long time ago! This paper is rather thin, but it works fine for this. This card first had a 1/16-in matt layer of gold mirror card.

For the blue one, I created a 1/16-in matt layer with green mirror card from my stash. I didn’t think I’d be very likely to use this one, which someone gave me some time ago, but it turned out to be perfect for this card, with its blue-and-green colour scheme. The wider mount was created from a piece of scrap blue card which is quite thick and excellent quality, with a slight hammered texture, which had been the cover of a brochure (never throw anything out lol!).

For the purple one, I chose a piece of gold wrapping paper for the 1/16-in matt layer. The gold Perfect Pearls I used for this design was “Heirloom Gold” which is a softer, less bright gold than “Perfect Gold” which I used for the others, as I wanted a more subtle effect, and I thought that regular gold mirror card would also be too bright. This gift-wrap paper is quite thin compared with the gold mirror card, but it worked just fine. For the wider matt layer I used some more of the glitter card that I used for the narrow matt layers in my Brusho Trees cards project the other day.

For the final card, with the orange mount, I again used gold mirror card for the 1/16-in matt layer, and some orange glitter card as above.

By using different colours, and emphasising different areas of the same design, it is amazing the different results one can get, which makes them look almost like different drawings! It has been great fun experimenting with this, and certainly something I would wish to continue with.

Two Adult Drawing Pages

The second of three posts for today.

I have done a couple more adult drawing pages, both downloaded from here.

I wasn’t that thrilled with the first one, to be honest – not such an interesting picture, and I did it with coloured pencils which didn’t come out very bright. Being poppies, I think I would have done better to use my Sharpies to get more intense colour.

Here is the original printed drawing.

This is what I did with it.

The second one, however, I was very pleased with. For starters, I much preferred the picture, which had lots of potential for shading and different colouring.

This time I decided to use my Inktense pencils, which, true to their name, have intense colour. Being ink, once dry, they do not run and you can add more layers on top if you want, without re-activating what you have already done. Not that I did that in this case, though. I love the way they blend so well together with the application of a little water on a brush. They are quite sticky and waxy to use, and don’t run on as smoothly as regular coloured pencils and I certainly wouldn’t use them if I wasn’t going to add water afterwards. Adding water with the brush reminds me of another favourite childhood activity – magic painting! Who remembers that (or am I giving away my age!)… You had a greyish looking page with outlines drawn on it, and you would paint it just with water, and the colours would spring to life!

If you look carefully, you can see that I added some lines to the drawing, to make the trellis weave over and under, and added some little nails to hold it together! I think that makes it look better, particularly with the shading.

For the butterflies, I used a combination of Twinkling H2Os and Perfect Pearls. I bought a couple of little packs of the former at Hobbycraft recently and hadn’t yet tried them. Frankly I was a bit disappointed, after reading raves from people about them online. For starters, the packs I got seemed only to have pinks and browns in them which wasn’t terribly useful for butterflies. When I started using the Perfect Pearls instead, I think I was getting more intense colour and more shimmer from them than from the Twinklings, which surprised me a lot. Maybe I need to experiment further.

After I’d added the shimmer colours to the butterflies, I went around the outlines again with a permanent black marker because some of the lines had become indistinct where I’d gone over them.

Anyway, I was very pleased with the results – the butterflies are really shimmery! They stand out in contrast against the background. Of course, most of this doesn’t show up on the photos, but I’ve done my best to do them justice.

I am having fun experimenting with different media for these adult colouring pages. I must try good old-fashioned watercolours, acrylics, mixed media, foiling, embossing, pastels and chalks… the possibilities are endless! One thing I have learnt, especially from my experience with the poppies one, is that you need to choose the correct medium for the picture, so that you do it justice. Soft, subtle colours do not work on an image which calls for bright, vibrant shades.

Perfect Pearls Butterflies Background

THE BIG REVEAL, PART 6.

This is the second of two posts today.

Many of my regular visitors have been justifiably very frustrated and impatient with me lately because I’ve been working hard on several secret projects that I wasn’t at liberty to reveal until now. With her permission, I can now reveal that I have been making stuff for Shaz. As many of you will know, she is about to undergo major surgery and has been through so much over the past year. She and her lovely hubby share the same birthday and I have made cards for them both, a get well card for her (still under wraps) and a selection of bits and pieces for her to play with once she feels up to being creative again. She opened the parcel on her birthday (14th Aug.) and now that she has received them I can share the making of them with you. Until now, I didn’t want to spoil her surprise as she visits my blog regularly. Throughout my own cancer journey, this wonderful friend has been such an encouragement and support to me, and this is one way I can thank her, and show my own appreciation and support. I know that she would love a visit from you to wish her well for her surgery on 2nd Sept.

I shall be uploading a couple of posts each day over the next few days until all is revealed. Please scroll down for earlier posts.

Perfect Pearls Butterflies Background

This another background or small masterboard that I made to go in the parcel I have sent her to cheer her up at this difficult time in her life.

I used several butterflies from my Chocolate Baroque set “Just Butterflies,” and also my swirl stamp by The Stamp Barn, CFLR 021 I.

I used an A4 sheet of white card which I had painted all over with black gesso (you could use black cardstock), and stamped the swirl and butterflies with Versamark. Using a soft brush, I picked up various colours of Perfect Pearls and applied this mica powder to the areas made sticky by the Versamark. Once they were all done, I spritzed it lightly and from a distance with water, to set the Perfect Pearls but not to make the card too wet. Some of the butterflies are unfortunately not as distinct as they might be, but I think the overall result is pleasing – against the black background the Perfect Pearls shimmer beautifully and the colours are rich and intense.

This small masterboard can be cut up and used in project such as card making or scrapbooking.

Flightless Angels

Today, feeling a bit better again, I decided to devote the morning to some experimental work in my ARTHaven. EPIC FAIL. However, I decided to blog about it anyway, because I did come up with some interesting results, even if none of them were useable for the purpose I wanted – some may be able to be developed further and used differently, and it’s always good to learn from one’s mistakes!

The other day I made these moulds from the metal angel wings I recently got from Etsy.

I needed to discover what kind of materials would work with these extremely shallow moulds, that would be strong enough and flexible enough not to be brittle. Today’s experiments were mostly with UTEE (Ultra-Thick Embossing Enamel), and also a little with Angelina Fibre and Fantasy Film.

My first plan was to use one of the large wing moulds to make some transparent wings by pouring in clear UTEE. First of all I painted the inside of the mould with some dry Perfect Pearls in Perfect Gold.

Using my melting pot, I melted some UTEE which was already in there, which had been mixed with UTEE Flex (granules which you add to UTEE to keep it flexible). Pouring it into the mould wasn’t a great success. It was hard not to get far too much in. I scraped half of it back into the pot with the spatula.

Once it was set, I peeled off the mould. The UTEE was so thin that it tore, and wasn’t all there! The effect was nice, though.

Here’s a detail, showing the shimmer of the Perfect Pearls showing through the clear UTEE.

It was obviously extremely flexible and unsuitable for self-supporting wings. This technique might possibly work if the piece was being applied to a flat surface as an embellishment, though.

I then moved on to the smaller mould, and decided on a different approach, this time sprinkling on UTEE and melting it with my heat gun. This time I used gold UTEE. I had to hold the heat gun well back so as not to blow the UTEE away, but close enough to start to melt the surface of the granules and make them tacky, after which I could zoom in with the heat gun and melt it easily. Here it is after the first layer had been melted.

While it was still warm and tacky, I added another layer of UTEE and melted that.

The next photo shows the third layer of UTEE having been added, and about to be melted.

Once it was cool, I peeled the mould off, and was surprised to find that where the top surface was bright gold, the surface that had been in contact with the mould was a dull brown! Very disappointing. Maybe this was the result of repeated heating.

It felt fairly strong and slightly flexible, and I was able to trim away the excess with scissors.

However, on flexing it a little further, it broke.

My third test was to use the sprinkling method with the heat gun, but to add some UTEE flex. I painted the mould with Perfect Pearls again and melted a layer of clear UTEE. Once it was melted, I sprinkled on some of the Flex granules and melted it again, and then added two more layers of clear UTEE, melting each separately.

I did find that the melting UTEE tended to creep away from the mould and create holes in itself. I am not sure if the Perfect Pearls were making the surface of the mould too non-stick. Eventually as I added more UTEE, it seemed to fill up OK.

Here is is, cooling.

After it had been removed from the mould.

Again I trimmed this with scissors, and again, managed to break off the tip.

This time I decided to try and mend it, by pressing the broken edge of each piece onto the surface of the melting pot to soften it, and then pressed them together.

I heated the whole thing gently from the top which eventually got rid of the join. I think a piece made in this way would be ideal to mount supported on a flat surface as an embellishment, but I don’t think it would stand up in flight!

Being unconvinced that it was strong enough not to break, I decided to re-melt it, and this time to spread some Angelina fibres over the melted UTEE in the hope that they might strengthen it. This is the back, after it was pulled off the mould. Quite opaque-looking.

This is the front. Quite a mess. You can’t see much of the definition of the wing detail.

The back, after trimming.

The front, after trimming.

Not a huge success.

I decided to try laying a piece of Fantasy Film over the mould and putting UTEE on top of that and melting it, hoping that the Fantasy Film would pick up the detail of the mould, but it just shrank and crept away from the mould, and I ended up with a shapeless piece which was somewhat wrinkled and pitted. It was an interesting effect, though, with iridescent shimmery colours, and I may be able to use this piece in other projects.

While still thinking about Angelina Fibre and Fantasy film, I decided to try a technique I have used before with rubber stamps. This doesn’t always seem to work, and it does seem to depend on what colour of Angelina Fibre you use, for the image to show up nice and clearly.

I spread some Angelina Fibre over the mould and laid a piece of non-stick silicone baking parchment over the top and ironed it.

Very unsatisfactory! All it did was flatten and fuse the Angelina Fibre and no image was visible. Simple stamps without too much detail work best for this technique, I think, and probably much deeper-etched ones than the depth of my very shallow mould.

I tried the same with Fantasy Film laid down first, and then Angelina Fibre. Same result. Total failure!

Here are all my failures together.

Oh well.

I need a new material to fill these very shallow moulds. I am sure that polymer clay is going to be too brittle to use this thin. There is a possibility that Friendly Plastic pellets may work, and when I next cast some things from moulds, which will be soon, I am going to try using this with these moulds, but because this stuff is more like clay in consistency when melted, and not pourable, I think it may be hard to fill the moulds neatly, and difficult to trim them afterwards once they are set. FP ends up fairly hard, and this thin, it may break.

I discovered something called silk clay last night and that might possibly work. This stuff behaves like modelling clay but sets to a lightweight rubbery substance which may stand up if the pieces are not too large. I need something strong enough not to break, and slightly flexible so it isn’t brittle, but not so flexible that it won’t stand up under its own weight.

For the moment it looks as if my angels are going to remain flightless, unless anyone can come up with some helpful suggestions!