Showing posts with label Stickles. Show all posts
Showing posts with label Stickles. Show all posts

Thursday, 29 November 2018

Completing the Flowers and Leaves for my Altering Project

WOYWW visitors – please scroll down to previous post.

I have now finished making the flowers for my mystery project, and I have also made some leaves.

I made a selection of single-piece flowers and layered some of them for a bit more interest.

43 Single-Piece Turquoise Flowers

I used Orange Peel and Turquoise Stickles for the centres of some of them, and for the rest, I added a nice big blob of hot glue and sprinkled this with orange Flowersoft equivalent – this stuff is called Soft Magic from Carole’s Crafts, in light orange – I’ve had the set of these for ages and can’t remember where I got them. I don’t use it very often and it does make rather nice flower centres. It’s one of those supplies that lives in a drawer and gets forgotten about!

Here are all the turquoise flowers I have made.

44 All the Turquoise Flowers

Moving on to the leaves, I cut them all with the left-hand die from this Die’sire Classiques set, “Assorted Leaves.” I don’t much like the second die and haven’t used it yet, but I bought these dies at a craft show early this year, for the first die which has proved very useful.

45 Die-Cutting the Leaves

I cut all these leaves from scraps of American Crafts white cardstock so I didn’t have to break into another whole sheet. I then hand-embossed them all with two sizes of embossing tools into a piece of fun foam.

Colouring two sets of leaves, one to go with the turquoise/terracotta flowers and the other with the brown flowers.

For the terracotta ones I coloured them with Rusty Hinge Distress Stain, painting on the ink in a random, blotchy way, and then repeated the process with Gathered Twigs Distress Stain, and finally distressed the edges with Walnut Stain Distress Ink, using a home-made ink blender.

46 All the Leaves Complete

For the brown ones, I used the same method, first with Pumice Stone Distress Stain, followed by Gathered Twigs, and finally with Antiqued Bronze Distress Stain for a subtle shimmer, and again, distressed the edges with Walnut Stain Distress Ink.

Here are the brown leaves, together with a selection of brown flowers.

47 Brown Leaves with Some Flowers

These are the terracotta leaves, together with a selection of turquoise flowers.

48 Terracotta Leaves with Some Flowers

I am now ready to continue with the rest of the project – I have already made good progress – and I will be able to show the finished results in a couple of weeks’ time.

I have made far too many leaves and flowers for my immediate use, but will use up the excess for other projects – most probably when I alter the little frames that my hubby gave me recently.

Monday, 26 November 2018

Brown Flowers for the Altering Project

Third and final colour scheme – naturals and browns.

For the lighter coloured roses, I began by painting the flower pieces with Antique Linen Distress Stain. I discovered the quickest way of doing this was to prise off the dauber top from the bottle with a knife and just dip the brush in. Too much faffing around daubing it onto the craft sheet or onto the flower pieces which tend to rip if you rub them when they are wet. I really hate the dauber tops on the Distress Stains!

33 Small Roses with Antique Linen

Half way through this, I managed to tip the bottle over… I managed to scoop most of it up with a palette knife and then used the flower pieces to smoosh up the rest. I decided that I was too clumsy to be trusted with open bottles of Distress Stains on the desk, so from now on, I am standing the open bottle in a plastic bowl in case of accidents! A simple matter to pour it back into the bottle if I knock it over.

The other day online I saw some flowers with petals that were half-and-half in two colours and the effect was lovely, so I thought I would try this. The second colour was Pumice Stone. I painted this on fairly roughly as before.

34 Small Roses with Pumice Stone

Here is the set of light brown roses with the half-and-half petals. I am really pleased with this effect.

35 Light Brown Roses

36 Light Brown Roses Close Up

The other thing I discovered, doing these, was that it was quicker to distress the edges of the petals once the flowers were assembled. I discovered this because I made up the small roses and then realised I hadn’t done it. The result is just as effective, and done in less than half the time – a quick swipe back and forth over the flower with the blending tool and it’s done. For this I used Tea Dye Distress Ink.

Moving on to the darker brown flowers, here are the cut out pieces for two sizes of roses and some single-piece flowers. I used Gathered Twigs and Tea Dye Distress Stains for these.

37 Dark Brown Flower Pieces

The roses complete. They needed a little something extra so I lightly rubbed a little gold gilding wax over the petal tips and they positively shimmer! As usual, the photos don’t do them justice.

38 Dark Brown Roses Complete

39 Dark Brown Roses Close Up

All the brown flowers. I’ve added a little gold gilding wax to all of them, and I layered some of the single-piece flowers.

40 All the Brown Flowers

The final touch was to add a tiny dot of gold Stickles to the centre of these flowers.

41 Single Piece Dark Brown Flowers with Stickles

I’m not sure there’s much more I can show you on this project for a little while, apart from making a few single-piece turquoise flowers, but keep watching this space – I shall be working away in the background to get things finished.

Monday, 8 October 2018

Box for Floral Mini-Album–Completing the Project

I am happy to say that so far at least, the metal corners have remained in place on the boxes, after my second attempt at sticking them on, this time with Pinflair gel glue in place of the failed hot glue. Today it still felt slightly tacky, and I am sure that it will soon be dry and holding the metal embellishments firmly in place.

Today I began embellishing the boxes, in a similar style to the albums that they will contain.

I got my dies out and cut more of the Moroccan tile trellis one in gold mirror card. Before cutting them, I covered the back of the card pieces with double-sided tape, which I tend to do for complex or small dies because it makes applying them to the project so much easier.

59 Moroccan Tile Die Cutting

I love this die. It’s not just really pretty, and a brilliant foundation for applying flowers and linking them together, but you can cut it up and use just bits of it, or join it up in a different arrangement if you want.

I then die-cut quite a few leaves from a selection of dies – I’ve got quite a few flowers left over from the album project but unfortunately I’d used up all the leaves.

I cut them from scraps of cardstock in different shades of green. I didn’t have to cut into any whole sheets. Even quite small scraps are adequate for this so it pays never to throw anything away!

60 Dies and Card for Leaves

61 Die Cut Leaves

After this I gave them a bit of variation with three shades of Distress Stains.

62 Inked Leaves

Most of them I left flat, but the simple leaf shapes I hand-embossed into a piece of fun foam with a ball embossing tool.

63 Hand-Embossing Leaves

Hot glue comes into its own for sticking down paper flowers and hand-embossed leaves. The centres of the flowers were embellished with Stickles. I love the effect these colourful glitter glues give, adding a subtle touch of bling. (Unfortunately I took the next photo before I’d remembered to do this!)

The completed boxes.

64 Two Finished Boxes Minus Stickles

65 Box Front

66 Box Side and Front

The side of the box.

67 Box Side

Detail of the embellishment on the top of the box.

68 Box Top Detail

Detail of the front of the box.

69 Box Front Detail

Detail of the side of the box.

70 Box Side Detail

The box with the album inside.

71 Box with Album Inside

That just about wraps up this project. I am so pleased to have finished it in good time for Thursday when one of them will go to its new home.

Friday, 22 June 2018

Card for a Centenarian–Box for the Card

Having completed the card yesterday, today I worked on embellishing a box for it, as it is too thick for an envelope.

The box was in my stash, and originally contained some samples of stoma supplies! (Nothing goes to waste chez Shosh…)

I painted the bottom, sides and edges of the top with black acrylic paint.

Inside the box, I sprayed it with some pink shimmer spray that I’ve had from when I started papercrafting, many years ago!

I noticed some had got on the bottom of the box and I really liked the effect of it on black (something I’d never tried before) so I ended up spraying the whole thing with it.

I thought the inside needed something a bit extra, so I painted on a thin layer of soft gloss gel medium diluted with water, and sprinkled on some variegated copper gilding flakes, dabbing them into place with the paintbrush.

I wasn’t really happy with it, so I made up a wash of gold acrylic paint with some iridescent medium and painted that on. It was really shimmery but the brush strokes showed more than I wanted, and this was particularly obvious on the lid, unfortunately.

Here’s a detail of the effect. You don’t really get the shimmer from the photo.

In the end, I covered the inside of the lid with some of the paper left over from making the card, first distressing the edges with Evergreen Bough and then Forest Moss Distress Inks. This improved the look of it.

Here is the card in the box. It will be wrapped in tissue paper.

The front of the box completed. As with the card, I added some stickles to the butterfly’s body, and to the centres of the flowers – Holly, and Magenta. In this photo, they still aren’t dry.

I used scraps of the cards and paper used for the card. The circular die cut was one of several in my stash that a friend sent me ages ago. The flowers were more left over from the Floral Mini-Album, and the butterfly is another die cut from the set I used for the card. I used the same two ribbons, and where the “Congratulations” gold card meets the decorative paper, I added a thin strip of gold card from my stash, trimmed when making some other project in the past.

Here is a detail of the floral embellishment.

As with the butterflies on the card, I lifted the wings of this butterfly and secured them in place with a blob of Pinflair gel glue under each one, to stop them being flattened.

Now that the card is fully dry, I can return to it and show you the finished result. Here are a couple of detail photos showing the topper and embellishments.

The sentiment on the inside of the card.

Finally, a photo of the box, the card and the embroidered piece, all for a remarkable lady whose 100th birthday we shall be celebrating with her at her party tomorrow.

I can’t believe I’ve completed this lot in under a week! The trouble is, apart from making bread, that’s all I’ve done this week, and everything else has been neglected!

Thursday, 21 June 2018

Card and Present for a Centenarian

On Saturday we are going to a party to celebrate a friend’s 100th birthday. She is a truly remarkable lady and you’d never guess she was this old! She gets out and about and joins in everything, and is a real character. I really wanted to make her something special for her birthday but didn’t have much time to do it, so this week I’ve pulled out all the stops and really cracked on, and at last I’ve finished, bar a few finishing touches.

The Card

In February I went to the Craft4Crafters craft show in Exeter, and bought some lovely dies by Die’sire (Crafters’ Companion) – these are supposed to be to create easel cards but I thought this lady might not know how to work them, so I decided on doing a straightforward card for her, using most of the elements. I chose the gorgeous butterfly card set.

Here is the topper in the early stages. I forgot to photograph every stage, but I chose some paper and card from a wonderful collection that a friend gave me for my birthday – she was so delighted that I was already starting to use them. The base layer is a dull gold card with bright gold text, “Congratulations” all over it. I chose a piece of green and white floral card for the next mat layer, and on top of this, a decorative paper with pink roses on a green and white background. These two mat layers were cut with the two frame dies from the set, and I distressed the edges of the top layer with distress inks and a bit of water spattering.

Here’s a more detailed shot. Originally I was going to use one or both of the wide ribbons in the previous photo but on further consideration, thought they were a bit too wide, so I chose a narrow pink organza ribbon, and a slightly narrower green satin one with a picot edge instead. I also selected a few flowers left over from the Floral Mini-Album project, which would tone in nicely with this card.

I selected some sentiment pieces from my stash, which I had cut some time ago on Sheba, my Cougar cutting machine. I coloured the text pieces with Worn Lipstick Distress Stain, and the shadow pieces I first coloured with Dried Marigold Distress Stain to give a nice rich base colour, and then added Treasure Gold gilding wax.

I layered the pieces, sticking them together with spray adhesive. Behind, you can see my home made spraying booth.

Turning to the inside of the card, I coloured it very lightly, using Inkylicious Ink Dusters and Distress Inks, first working in from the edge with Evergreen Bough, and then covering the whole of the middle with Antique Linen. After this, I stamped a selection of butterflies with Versamark and heat-embossed them with clear embossing powder. I then continued to colour the paper, first with Old Paper Distress Ink, and then a little Spun Sugar, concentrating on the areas where the embossed butterflies were. I rubbed these with very slightly damp kitchen paper to remove any ink from the embossing, and added some water spatters which I allowed to sit for a minute or two before blotting them off. The final touch was to add a bit more distressing around the edges, this time with Bundled Sage Distress Ink and a home-made ink blender.

The result is quite subtle, I think, and the embossed butterflies echo the theme of the card.

Here is a mock-up of the front of the card with all the elements laid in place.

The two little leaves were from my stash. Every now and then I cut a whole sheet of different elements on Sheba, from white card, and store them away, ready for when I need them, and I can colour them individually according to the project. This time I used Bundled Sage Distress Stain.

To add a bit of interest, I daubed a little Forest Moss Distress Stain onto my craft sheet and with a very fine wet brush, added a deeper colour to pick out the veins of the leaves. I spritzed them lightly with water and blotted them to soften the effect a little, and then dried the leaves with my heat gun. They were stuck down with Scotch Quick Dry adhesive.

Here is the finished card with the final elements added. I left it out overnight to allow the glue etc. to dry.

Before attaching the topper to the base, I attached the two layers of ribbon, fixing them on the back of the gold “Congratulations” card with double sided tape, and attaching a small piece of each, folded over to form two tails, with glue dots. The top of this was covered with the paper flowers, which were attached with hot glue. The leaves were stuck down with Scotch Quick Dry Adhesive.

The butterflies in the die set all have the ability to have their wings folded upwards, and whenever I do this, I always add a blob of Pinflair glue gel under each wing to keep them up and stop them getting flattened. This glue dries crystal clear and you really don’t see it. It also doesn’t lose any dimension as it dries, making it ideal for uses such as this. It is a very three-dimensional glue.

I added a few dots of Holly Stickles down the bodies of the butterflies, and in the centre of the smaller pink flower. Both the Pinflair and the Stickles glitter glue need time to dry before they can be handled. Unfortunately the Stickles dry a lot flatter than they appear when first applied, which I think is a shame because I love the 3-D effect you get with them when they are wet.

I stuck down the sentiment on the front of the card and inside, using Scotch Quick Dry Adhesive.

Now all that remains is to cover a box that I’ve got, which will serve as an envelope – the whole thing is rather thick, with the roses and the raised butterflies’ wings.

The Present

A small cross-stitch plaque with the word “Shalom” in Hebrew and English letters. The tall stroke of the Hebrew letter “lamed” extends to become the English “L”. I worked this cross-stitch with two strands of stranded cotton on 22-count Aida fabric, working in the small clip-frame which has a hanger on the top.

Beside it you can see the original one which I made for myself.

When this photo had been taken, I had completed the cross stitch but had not yet done the outlining back stitch in black, using a single strand of stranded cotton. This really helps the design stand out against the background, as you will see if you compare the two plaques.

I created the original design on a programme called EasyCross, several years ago. Unfortunately this software does not work fully with Windows 10. I was able to print out the design (top right in the above photo) but the colours weren’t right, and it was covered with very distracting diagonal dotted lines. I ended up colouring the background with coloured pencils to show me where to change. Before I did this, I found I was making numerous mistakes, and the bottom half of the design had to be fudged a bit but it’s worked out OK. The graduations between the rainbow colours were achieved by mixing threads on the needle – one strand of each colour. In the original, I worked alternate stitches of each colour for the transition, and I can’t decide which I prefer.

I have bought a new cross-stitch designing programme called WinStitch (there is also an Apple version called MacStitch). Unfortunately the old EasyCross files won’t open in this programme but at least I can print out my original designs and copy them into the new programme. This will take a long time but it will be nice to have them available again. I haven’t done any of this for such a long time and now feel I want to take it up again, and I was very pleased to find that an alternative programme exists to replace the now defunct EasyCross. A shame this programme has been discontinued because it was very good indeed.

Here is the completed plaque.

This is the reverse.

To finish off the back, I trimmed back the edges of the embroidery fabric and glued it to the inner ring of the frame with tacky glue, leaving it to dry for a while, held in place by a series of plastic clamps that I’ve got.

I stuck some cream polycotton fabric onto a piece of self-adhesive pelmet Vylene and used the inner ring of the frame as a template to make a paper pattern to cut it out. Unfortunately I had to cut this by hand and it’s a bit shaky round the edges! I think what I need to do is to scan the inner ring, and use this image to create a template in Inkscape, which I can cut on the cutting machine, which would give a much neater result.

To neaten it a bit, I ran some tacky glue around the junction between the two frames and stuck on some gold Lurex crochet thread, finishing it off with a small bow that I made on my bow maker. This was stuck down with a tiny blob of Pinflair gel adhesive, and again, this was left to dry overnight. I have also signed the back and dated it.

I am busy tomorrow morning, but I have every hope that I shall finish off this whole project in the afternoon, and get it wrapped ready for the birthday party the following day.

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