Infusions Mini-Album–Completing the Title Pages

This afternoon I made the title pages for Books 2 and 3 of my Infusions Mini-Album. One or two of them had to be left to dry, and I will complete them after this.

Again, I used up some of the reject/spare pages. For the first one, I should have chosen a stencilled one that didn’t use Polyfilla because there was one of those to come, but once I realised, it was too late! I added text with the white Uniball Signo marker pen and a black archival pen, and added some white Rub’n Buff and Treasure Gold to the raised parts.

I did the text in the same way on the Stencil with Polyfilla title, and added some Treasure Gold to the raised parts.

Simple text on the next one. I think I had it in mind to add some hand-embossed leaves and flowers to this one so I hope I’ve left room for them!

For the Added Texture title page, I thought I’d use a mixture of textures. From left to right: bleached mulberry bark (I tore off a tiny fragment), coarse pumice gel, regular matte gel (for attaching the mulberry bark), glass bead gel medium, and finally crackle paste. These have to be left to dry overnight, especially the crackle paste which needs time in order for the cracks to develop.

Acrylics title page. In addition to the usual pens, I also added some shading to the text, with a soluble graphite pencil and a fine wet brush to blend it out.

For the Gesso title page, I decided not to add any card, but simply to spread gesso onto the squashed toilet roll, taking the gesso over the black painted edges. As I needed two pages for this title (to make the page numbers work), I added some texture by patting the surface gently with the flat of the palette knife, taking this effect over onto the right-hand page a little, but leaving a smooth central part for writing on. Once this was done, I sprinkled on some Black Knight Infusions from Set 1 and some In the Navy from Set 2, and spritzed it with water and left it to stand for a bit, before drying the surface with my heat gun. These pages will have to be left overnight for the gesso to dry completely.

Finally, the Cling Film title. I am not sure whether what I have done will work! I wanted to leave some cling film on the page, so I scrumpled some up and attached it with a thick layer of heavy body clear gel medium. Once it is dry, I shall trim off the excess cling film. This was attached to a spare stencilled piece with a very blurry image on it, from about the third impression of a wet stencil. We shall have to see how this turns out after it’s been left to dry.

Infusions Birthday Card for my Hubby

Panic stations! Suddenly remembered I hadn’t made a card for my hubby’s birthday at the end of this week, and I’ve got a very busy week ahead. I thought I’d better get my skates on.

My Infusions mini-album, that I have been working on for the past few weeks, has generated quite a few reject pages, and some perfectly good ones which I decided on balance not to include. These are still hanging around on my workdesk and will eventually find their way into my stash for future use, and I chose one today that I thought might make a nice card – it was one of the ones I made with Polyfilla through my own brick stencil, as I only needed one for the album.

I have a few tiny scraps left from my Infusions mask and spray 12 x 12 sheets that I made last year, most of which were used up on the Mamhead mini-album for the end-papers and cover. I have a few of the flowers and leaves left, and also a few of the Heartfelt Creations stamp/die cut combos I made some time ago, so rootling around in that little lot, I came up with enough materials to put together quite a nice card.

I began by looking out the pack of jute fibre I bought from Ebay ages ago. This is very fine and wasn’t quite what I wanted when it first arrived, but I thought with a bit of persuasion I could coil it up and make it do more what I wanted! Being a natural fibre, it absorbs ink pretty well, so I began by colouring a few strands, using Distress Stains in Walnut Stain and Vintage photo. I stuck the ends together with Scotch Quick Dry adhesive to make the whole thing a bit more manageable.

Once they were coloured, I wrapped them around the handle of a fat paintbrush and spritzed them with water. I held them there for a few minutes and gently dried them with my heat gun – a bit like setting hair!

When I pulled them off, they looked like this:

I was quite pleased that they had held their shape so well. All that was required was to tease them out a bit, ready for use.

I stuck the bundle onto the card with a little strip of masking tape.

I selected two of the Heartfelt Creations flowers which I’d already hand-embossed, and stuck them down onto the card with Pinflair gel glue, covering up the masking tape on the jute fibres.

I had cut a few leaf trails for the Mamhead album and I coloured these with two Distress stains, Forest Moss and Bundled Sage.

This gave a nice mottled effect which was a bit more natural-looking than a flat dark green.

I ended up needing another of the large ones, but this didn’t take long to do afterwards.

Assembling the piece.

I attached the leaf trails using soft matte gel medium, and added some Orange Peel Stickles (glitter glue) to the centres of the flowers. This was how it looked at this stage.

The Stickles and Pinflair glue take ages to dry, so I left the piece out overnight.

Next day it was dry, so I could complete the project. I folded a piece of white A4 card in half and inked the edges with Antique Linen Distress Ink – the white card was far too stark and bright. I found the last of some mottled brown card that I had in my stash which I’ve been anxious to use up, and cut it to size to mat and layer. The cut edges were very white so I inked those with Vintage Photo Distress Ink.

I also distressed the edges of the inside of the card with Antique Linen Distress Ink.

Time to use my wonderful new Tonic stamp platform for the sentiment inside! I tried it out the other day when I made my copper and sepia card. This time I used it side-to-side so I could put my card in. I did a few trial runs with scrap paper to make sure the stamps were correctly positioned.

The materials for stamping the sentiment. I used the Stampin’ Up “Memorable Moments” stamp set which is useful because you can mix and match the stamps. I used Pumice Stone Distress Ink, and as this is fairly pale, I stamped it three times. One of the great things about the stamp platform is the ability to stamp again in exactly the same place – very useful if you get an incomplete impression first time. I’ve never been that great at stamping, and I’m so glad I bought this new gadget!

I thought the inside of the card looked a bit bare, so I got out my bricks stencil and taped it in place, and used an Inkylicious Ink Duster and Antique Linen Distress Ink to create a bit of interest.

The finished result. The brickwork nicely echoes the theme of the front of the card.

The finished card.

The little strips forming a partial frame were in the box of scraps left from the Infusions 12 x 12 pages and I thought I might as well use them up! There’s not much left of that paper now. The Happy Birthday sentiment was in my stash – I think it was part of a pack of odds and ends I received as a gift from a friend some time ago.

A detail shot of the topper. My hubby loves his garden so I hope he will like this floral card. I don’t think it’s too girlie!

Phew! What a relief! Completed it in time!

Infusions Mini-Album–Additional Pages

Sorting through my Infusions samples and trying to arrange the pages into a satisfactory order, I realised that I probably needed to add a few. I had decided that I had far too many to make a single book, and divided them into three separate books which will all be bound in the same larger cover, but it was really hard to get them all more or less the same thickness. Some of the pages are simply glued back-to-back, and others are glued either side of a flattened toilet roll centre – these will have a tag inserted, which in turn will make the pages thicker. The middle book is quite a bit thinner than the other two, so I thought the simplest solution would be to add a few more pages, especially if I could add elements to thicken them up a bit!

Also, I needed one or two extra pages to make the pairings work properly, especially as I have to incorporate pages with the title of the next section.

The first additional page was made by dabbing Versamark embossing ink onto the page through a stencil – in this case, I used a piece I’d cut with Sheba, my Cougar electronic cutting machine, ages ago, to file away with my sample pieces with the machine settings I’d need to use for that particular medium. This worked pretty well as a stencil, but I had to be careful with the centres of the spirals which tended to lift a bit. I think I may use this file to cut a stencil from some other material as it’s quite nice, and with care, works well.

After applying the Versamark, I sprinkled some Sunset Beach Infusions from set 1, quite liberally, over the stencil. I spritzed this very lightly, with a fine mist from some distance above, so that it wouldn’t get too wet and flow under the thin sections of the stencil. I held it down as much as possible with my fingers, in addition to taping both the page and the stencil to my craft sheet with masking tape. After spritzing, I left it for several minutes to activate.

Here is the piece immediately after I carefully lifted the stencil away. You can see that the edges are sharply defined, and that it worked well.

After this I dried it with my heat gun, and brushed away any stray crystals that hadn’t activated.

The white background looked a bit stark, so I added some Distress Inks in Spiced Marmalade and Abandoned Coral, using an Inkylicious Ink Duster, and then some Vintage Photo to distress the edges of the sample, using a home-made ink blending pad. I used this particular colour scheme to pair it with another page.

Here is the completed piece.

To bulk up Book Two a bit, I did another page with some gesso, this time stamping into wet gesso. For this, I used some of the stamps from the Stampin’ Up “Mosaic Madness” set, sticking them all onto an acrylic block and stamping them all at once into the wet gesso. I was careful to clean them off immediately after doing this, because gesso dries very quickly and I didn’t want to ruin my stamps.

I dried the sample with my heat gun and once I was satisfied it was dry enough, I sprinkled on some Violetta Infusions from set 2. I spritzed it until it was very wet, and almost immediately blotted it off with kitchen paper to create a pale background, with darker areas where the stamping was.

I spritzed it again, and tilted the card to move the Infusions around, making sure they pooled in the stamped areas, and then I added a very small amount of Infusions, and left this to stand, in order to activate them.

I realised that I hadn’t included my “mask and spray” technique, which I’d be sad to omit, since I think I invented this! I did it first with Dylusions spray inks, but thought it would also work with Infusions, which it did. I made two 12 x 12 sheets and I used nearly all of these when I bound my Mamhead mini-album at the beginning of this year, but I still had a few offcuts left, together with some flowers and leaves that had been used in the masking process, so I decided to use these in the Infusions mini-album.

This is a mock-up I’ve done to show some of the cut leaves and flowers laid onto a page made from the remaining leaf mask and spray offcuts.

Here are the four additional pages together.

All the pages I’ve completed have been flattened under heavy books, and stacked together with elastic bands into their respective three volumes. I need to make a few more pages for Book Two, and then the next step will be to make the title pages for each section, and then start on the tags. Once this is done, and the tags are all inserted into the right pages, I will be able to make the binding, as I will know how thick each page will be. When the three small books are bound, I can begin on the large outer binding. Still a lot to do, but now that the page organisation is pretty much sorted, the end is in sight!

Infusions Mini-Album–Finishing Recent Samples, and More Stamping

After the last session there were a couple of samples that needed further work. I had left the samples under heavy books overnight and for most of today and they are more or less flat now, although the one with the gesso texture still has a tendency to curl.

Looking at the weathered woodgrain sample with the crackle paste on it, I was delighted to find that where the paste was thicker, cracks had indeed appeared against my expectations. As it says on the crackle paste pot, this finish is fairly fragile so I handled it carefully. I applied the same infusions onto the sample again – Sunset Beach, Golden Sands and Black Knight – as before, creating a puddle on my non-stick craft sheet and using a fan brush to create horizontal brush-strokes, going over the top of the crackle paste. The Infusions settled into the cracks, showing them up nicely.

Once it was dry, I painted on a thin coating of soft matte gel medium to stabilise and strengthen the surface. Golden recommends that some sort of top coat is applied to protect it.

Looking at the gesso texture sample, I was pleased with how it had turned out, but decided it needed something extra, so I applied a very light touch of gold gilding wax over the raised parts. This is a lot more shiny and gold than shows in this photo.

Here’s a detail shot which shows the gold a bit better.

These are the recent samples I made, now all completed.

A while ago I noted down a couple of techniques I’d seen online, and decided to try them. The first was to stamp with Versamark or other embossing ink, and then to apply Infusions, stippling them on with a dry brush, and tapping off the excess. After this, the sample was lightly misted with water, taking care not to saturate the sample.

I used Olive Tree from set 2, and the stamp was from StampAttack’s “Real Leaves” set.

I was quite pleased with this result.

I did another one, using a ginkgo leaf stamp from the same set, and Emerald Isle Infusions from set 2, but the result was very unsatisfactory because the colour was too light. This technique obviously works best with the darker coloured Infusions – you can see from the above sample how subtle the result is. Also, I think stamps without too much detail work best. I am not sure this is a technique I shall use very often.

The other technique I found was to apply Versamark with a piece of Cut-n-Dry foam through a stencil, but I didn’t have any success with this so abandoned the attempt.

I think I’ve more or less explored all the different ways of using Infusions, apart from mixing them with paint/gesso/gel mediums – I’ll have a play with these and see what happens!

The Redecoration of our Sitting Room

Warning: Long post, picture-rich!

Our sitting room faces north, and with the houses across the street blocking the light, the room is quite gloomy, and this was not helped by a cream colour scheme. The sitting room in our old house was considerably larger, so moving here, our furniture was dominating the room which felt cluttered and oppressive.

Now that Mum is no longer living in her flat (which occupies half the downstairs of the house) and is not able to return, we have moved some furniture into her rather sparsely-furnished sitting room, which we also used while ours was being redecorated – being at the back of the house, it gets lots of sun in the afternoon, as well as having direct access by a glass door into the garden – we have decided to use it more in the summer for this reason. With the removal of some of the furniture, our sitting room was already looking better.

I recently watched a house renovation programme in which the windows were replaced with new ones with powder-coated frames in bright orange, which brought a feeling of sunshine into the room. The presenter of the programme said that a cheaper option would be to paint the window reveals in orange.

Having decided to paint the walls and woodwork in white, I thought that some touches of orange, including the small portion of ceiling over the bay window, the picture rail and the ceiling coving, would bring this touch of sunshine into our gloomy room, and the addition of some orange stencilling under the coving would soften the look and bring the design together cohesively.

My original plan was to do all the decorating myself – part of my new post-cancer life, to take back a lot of things that I haven’t done for many years. It’s been all too easy to ignore my M.E. which has been part of my life for so long – I have adjusted to the way of life it has imposed on me, and the cancer and all that went with it last year overshadowed it so much, and I think this year I have been rather unrealistic in what I am capable of doing, and trying to run before I could walk! I certainly need to relearn the art of pacing because I’ve been in a boom-and-bust situation, overdoing things and then crashing, which is not too good.

My hubby made a tremendous fuss about my plans to do the decorating, and I was in denial about my capabilities, and then he spoke about it to our neighbour Gary and he agreed completely, that I’d be very foolish to attempt it! I caved, and agreed to let Gary do it, and I am so glad I did – I doubt if I’d have ever finished the project, and as a professional, he has all the right tools and equipment, and the skill and experience, and he completed the job, and several other bits and pieces (small repairs, some paint priming etc.) around the house which needed doing, in a week, and the result is professional, and stunning.

Here are some before, during, and after photos.

Before

Working around the room from the door. I have deliberately left it untidy to show the normal state of affairs! (I have determined that it will NOT be the normal state of affairs from now on!) These pictures were taken on Monday 14th March.

The two cardboard boxes are still there 2 1/2 years after we moved, still not unpacked!

One of them contained ornaments (no room for most of them) and the other my little camel stool and the tops of the Burmese screen which you can see in the alcove in the next photo. When I was packing this up to move house, one of the tops fell into two halves, and I could see that my grandfather had mended this some time in the past. Not knowing how to fix it, I just left them packed away, and had the screen without the tops. Gary said he did not feel up to repairing the broken screen top and suggested we got it done professionally, so my hubby has contacted a local furniture restorer we know, and is taking it over on Monday, together with another of the tops which has a couple of carved points broken off, which fortunately I have, and hopefully he can repair both tops. Once that is done, there will be photos of it in all its glory. The screen is solid Burma teak and weighs an absolute ton – it is intricately carved front and back, the bottom part of each of the three panels being solid and carved, and the top panels, and the detachable tops, are pierced through. It is a magnificent piece of work, and I was so pleased that nobody else in the family wanted it when we were clearing my grandfather’s house all those years ago. It has been my constant companion all my adult life, and a great treasure.

The black uplighter in the corner had a faulty switch and didn’t work (I have now repaired this) and we moved Mum’s standard lamp in to give a bit more light – 2 lamps in the corner was definitely too many! The white bookcase was an eyesore and was always a mess, filled with DVDs and clutter. The pictures just happened to be available and I stuck them on the hooks that were already there, but they did little for the room, not being carefully placed. The one on the right was a gift for a friend and this was never the right place for it.

The cushions were tired and lumpy and the covers are worn. Endless clutter was really getting me down! Too many projects on the go, and papers, computer, external HDDs and endless untidy cables everywhere.

During

The first few photos show the room with some of the furniture removed, and experimenting with the arrangement of certain items. These photos were taken on the evening of Thursday 17th March, after a shopping trip when we bought the new cushions.

A great improvement – the removal of the unsightly white bookcase!

I arranged the lava lamp and a few ornaments on one of the side tables, with a piece of Romanian embroidery.

The settee with the new cushions.

I designed a stencil for the tops of the walls, adapting an art deco design I found online. The house was built in 1925 and has several original art deco features, including the fine wooden fire surround with its plinth, obviously designed to take a clock, an my original art deco electric clock with its chrome accents and Westminster chimes now has pride of place and looks as one with the fireplace, topped off with a modern art deco-style mirror, and a reproduction art deco lamp.

This is the stencil I cut, together with some repositionable spray adhesive (eventually we used 3M repositionable photo mount which was better and had a finer spray), and some stencil brushes. The stencil is of one pattern repeat, and I cut it from an opened-out polywallet.

The decoration begins. This is the state of play at the end of the first day (Tuesday 29th March). You can see that the room is considerably opened up with the removal of the third armchair which was in front of the window, and the absence of the coffee table.

On Wednesday 30th March, Gary began applying masking tape and painting the ceiling coving with the orange paint, which had a lovely name – “Bengal Tiger”! A couple of days later, Gary went to the garage for his van’s MOT and apologised for the state of his hands, saying “I’ve been painting with Bengal Tiger.” The man at the garage said, “Wouldn’t it be easier with a paintbrush?” Hahaha!!

You can see how much brighter the room looks with the white walls.

The coving completed, Thursday 31st March.

We decided to retain the dark red walls around the window. They give some contrast and it’s a nice rich colour that goes well with our colour scheme – we had this colour in our old house too, so I was quite pleased to see it here when we moved. You can see that Gary has pinned up the curtains using clothes pegs. He managed the entire job without having to remove any of the curtains, and he didn’t get a single spot of paint on any of them..

The picture rail in Bengal Tiger. The next group of photos were all taken on Monday 4th April.

The coving and picture rail complete, in the alcove to the left of the chimney breast.

Now for the really exciting part! Gary doing the very first bit of stencilling. We agreed that he would place the fan shape in the centre of the chimney breast and work outwards from there – this is the focal point of the room, and whereas for the rest of the room it would be OK to continue the stencilling around the corners, this part, which would draw the eye, should have the stencilling carefully placed and centred.

The first pattern repeat stencilled.

The moment of truth – peeling off the stencil.

Yippee – a superb result!

The chimney breast stencilling complete.

What I hadn’t planned as how exactly the pattern fits the chimney breast! I knew it needed to be about 6 inches in depth, and I drew it to match that proportion. Elsewhere in the room, too, the pattern fits neatly into the corners in most cases. Quite fortuitous, I can assure you!

Gary found that the adhesive needed reapplying periodically, and the stencil cleaning – the adhesive was lifting tiny spots of white paint (not so that anything showed on the wall) which was interfering with the adhesion of the stencil to the wall. You can see on the fan shaped portion that there are some long narrow pieces of stencil which needed to be well adhered in order to prevent them moving and paint getting underneath. I used Crafter’s Companion Stick Away spray to clean off the back of the stencil, and at the end of the day he found that if we soaked the stencil in hot soapy water, the emulsion paint simply lifted off.

He had a terrible job with the inside corners, particularly the first one, in the right-hand alcove – because the corner of the wall wasn’t straight, if he pressed the stencil into the corner, the second half did not run along parallel to the coving. He called a halt at that point, it being the end of the day, and we cleaned off the stencil, and he said he would just stick it down on the next bit of wall, lining it up correctly, and not stick it on the previous bit (if that makes sense!). Fortunately, this turned out to be the most troublesome corner of all, as it is the least visible in the room if anything went wrong (you’d never know, though), and subsequent corners became increasingly easier as he worked around the room.

Over the curtain pole there was not enough depth of wall to do any stencilling, and he ended the pattern at this point, either side of the curtain. However, we agreed that it looked a bit odd with nothing.

Finishing the stencilling on Wednesday 6th April. Gary began in the centre of the chimney breast and worked to the right, ending up at the left-hand end of the curtain pole. He then returned to the centre of the chimney breast and worked around the left-hand alcove and right around the room to the right-hand end of the curtain pole. Here he is, doing the very last stencil.

To finish off over the curtain rail, he masked off a band which he then painted in solid orange, to match the band along the top of the stencil. He had to eyeball it as the ceiling is slightly bowed over the window.

The band completed. You can see the orange paint over the window. Originally this was going to be in matt emulsion but Gary suggested painting it with the eggshell which has a slight sheen, and this reflects more light into the room. I am pleased with the effect.

At this point, the decorating was completed, and he was able to move on to the various odd jobs that needed doing around the rest of the house.

On the evening of Thursday 7th April, my hubby and I unpacked the new flat-pack cabinet that had been stored in Mum’s sitting room till we were ready to assemble it. There was a huge quantity of panels and hardware, and I arranged them around the walls in order – each panel was fortunately numbered – checking them off the list of contents as we went.

I sorted all the hardware (screws, cams, drawer runners, etc. etc.) into separate containers with a label in each, listing the contents and the step number from the instruction sheets, so that we would have all the parts we needed for each step, and I could pass my hubby the relevant parts as he needed them. You can see the instruction sheets on the table on the right.

I was rather amused that my hubby brought in a sledge hammer to aid in the construction! They said to use a mallet, so I provided a small mallet, but in the end we didn’t really need it, apart from tapping in one or two slightly tighter dowels for the joints.

When he’d finished the painting, Gary had moved the settee into the centre of the room to give us room to construct the cabinet. I laid the carpet down in this area temporarily, to give us a soft surface to work on, to protect both the cabinet and the floor. You can see that I have already hung a picture on the wall on the right.

You can also see that the dark red curtains do not come anywhere near the floor – in our old house these were floor-length! The ceilings in this house are very high. However, it doesn’t matter, because with furniture in front of these curtains, you don’t notice that they are too short.

That was the end of Thursday 7th April.

A finishing touch was the addition of some LEDs that I found on Ebay. This is a long thin cable with tiny LED bulbs at intervals along its length.

Gary stuck some of my heavy duty double-sided tape along the top of the picture rail and pressed the cable onto this. When switched off, it is invisible, but when switched on, the effect is sparkling and decorative, and a nice finishing touch. The cable beyond the connector, leading to the plug, was not quite long enough, but I found another one, complete with the correct transformer, in my drawer full of cables, and it runs down behind the curtains to the left of the window and is plugged in discreetly onto the extension bar for the TV equipment. I turn the lights on and off by pulling the connector apart and hanging the further end over the screen so I don’t have to bend down to switch on the lights. It works very well. These lights were available in different lengths, and with a choice of power options – mains (which I chose), battery, and USB. You can see how tiny the bulbs are, and they are pretty bright.

Here they are lit up.

After

The remaining photos show the completed room – at least, as far as is possible. We are still awaiting the arrival of the new chandelier which is on order. Once this arrives, I can phone the electrician and ask him to come and fit it. I moved the final pieces back into the room yesterday afternoon and hung some pictures.

Starting in the same corner as for the “Before” photos and working around. These photos were taken on Friday 15th April in the afternoon, and on Thursday 14th in the evening, with the exception of the final one which was taken on the evening of 15th.

The corner with the long-case clock is now a lot less cluttered, with the Indian table having been removed. To complement the large blue and white china plant pot, I have added a couple more pieces of blue and white china on the bottom shelf of the table with the Tiffany lamp. I have also hung a picture in the alcove.

Moving on round to the fireplace. I think the new décor really enhances this original art deco feature of the room. I added the two black metal candlesticks and hung two small pictures which had been above the white bookcase in the old layout, and put some ornaments back in the hearth.

Here is another view of the fireplace, from the settee. You can see that the ceiling border of the opposite wall is reflected in the mirror.

Moving on round to the alcove on the right-hand side of the fireplace, you can see that I have hung another picture, and replaced the centre top piece on the screen. It looks a bit odd at the moment but will look great once we get the two repaired pieces back. You can see how the screen minimises the impact of the TV in the room. TVs are always a problem in interior design but we all have them, and they have to be in a fairly prominent position so that we can actually see them!

The view of the bay window was very hard to photograph because the brightness of the window under-exposed the rest, and when I manipulated the photo, the room came out pretty grainy, but you can get an idea of how it looks. The coffee table is now in the window with its cloth and ornaments. I think it needs something taller in the centre but I haven’t got anything suitable, so I will have to think about that for a while – maybe a nice place to have a vase of flowers. In front of the table is the camel stool, which had been packed away in one of the boxes. I bought this at Karachi Airport in 1971 on my way home from my first Far East trip to Malaysia. Along with the Burmese screen, it has accompanied me all through my adult life and I am very fond of it! It has been sat on by generations of kitties over the years – it’s a wee bit small for humans to sit on lol! – but I couldn’t carry a larger one with my airline hand luggage.

You can also see the teddies sitting in the window! Shortly after we moved here, my hubby decided to do this for some reason, and he’s done it ever since, bringing them in at night so they aren’t staring out into the darkness and getting cold! I can see people walking along the street and quite a few look at the teddies and smile! Now that we no longer have the extra chairs in the room, there is nowhere to put the teddies at night so my hubby has started packing them in  box and taking them through into the flat. Last night Beatrice thought she’d muscle in on the act, and Phoebe was definitely interested.

The corner of the room to the right of the window, where the old white bookcase used to be. The new black cabinet is a huge improvement, and there is just room for the uplighter and one of the surround-sound speakers beside it. In the foreground you can see the side table with lamps on it – more photos later. You can also see that I have replaced the two mismatched pictures with a single one better suited to the décor, and the new blue and orange cushions on the settee.

A view of the settee complete with its new cushions, as seen from the bay window, with the new picture above. It has already ended up with the computer back on it, and other bits and pieces, but to show off the room at its best, I’ve tidied these things away for now!

The original central light with its red lampshade which really doesn’t let out too much light – the new chandelier will be a great improvement on this, and have more presence in the room, as well.

Now for some evening photos, showing how the lighting affects the whole atmosphere of the room.

A view of the bay window with the table. I took these photos with the flash and unfortunately it makes the end wall look rather flat, and the curtains a lot more obvious than they are on real life!

The new black cabinet. There is plenty of room for all my DVDs, and I chose ornaments with an orange colour to complement the room, to put on the shelves. Under the lowest shelf there are four drawers in which I have tidied away a lot of the unsightly clutter. My dad’s black marble clock looks great on top, and it breaks up the square outline of the top. It’s very nice to have the uplighter working again. This corner is a vast improvement on what was there before, and adds style to the room. The black cabinet does not dominate the room but blends into the dark red of the wall behind.

On the side table I decided to make a display of all my decorative lamps – I had forgotten about the paperweight one which was packed in the box with the ornaments – there is a revolving disc in the base which changes colour and throws a rather attractive moving coloured circle above it on the ceiling. Likewise, the fibre-optic lamp (which was in the hall and never being used) changes colour in the same way. Together they make a nice grouping with a couple of glass paperweights.

Here’s a little video I made of the lamps:

https://www.youtube.com/watch?v=9Gpslbgbf44&feature=youtu.be

Finally, the LEDs around the picture rail. You can see them reflected in the mirror, too, and if you look closely there’s a rather intriguing reflection on the glass of the art deco clock on the mantelpiece – the convex glass creates a tiny reflection in a curve, and it looks like a diamond necklace!

The arrangement of the room isn’t set in stone as far as the details are concerned, but we are more or less satisfied with the arrangement of the larger pieces. To sum up: the Indian table which was beside the clock, the standard lamp, the second armchair and the white basket chair are remaining in the flat; the coffee table has been moved and can no longer serve as a dumping ground and makes a feature under the window; I have introduced mood lighting and hung some pictures.

More photos will follow once we get the screen repaired, and the chandelier fitted.

I think you will agree that there has been a major transformation of this room. We are very delighted with it, and extremely pleased with Gary’s hard work and attention to detail – a really professional job.